The space in the french philosophical and allegorical novel: traditions and innovations
Keywords:
space, allegorical novel, philosophical-allegorical novel, «Romance of the Rose», tradition, innovation, reverdiAbstract
This article examines the philosophical-allegorical novel as a genre type of the modern novel. Features of space in the allegorical «Romance of the Rose» by Guillaume de Lauris and Jean de Men are revealed. This allows us to trace the tradition, determine the continuity and innovation of the French philosophicalallegorical novel of the 20th century. It is claimed that the basis of the philosophical-allegorical novel is an artistic-philosophical thought framed with the help of an allegory and formed according to the figurative-conceptual principles of reflecting the thinking of the relevant era. It is determined that the allegorical type of space has a double degree of convention – it acts as an artistic space (virtual or fictional) and as an allegorical space.
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De Lorris Guillaume. Le Roman de la Rose. ed. J. Dufournet. Paris, Flammarion, 1999, 244 p.
De Troyes Chrétien. Romans. Paris, La Pochothèque, 1994, 230 p.
Fleming J. V. The Roman de la Rose. A Study in Allegory and Iconography. Princeton, Princeton University Press, 1969, 250 p.
Hillmann L. H. Another Look into the Mirror Perilous: the Role of the Crystals in the Roman de la Rose. Romania. 1980, vol. 101, pp. 225-238.
Lewis C. S. The Allegory of Love. A Study in Medieval Tradition. N. Y., Galaxy Books, 1958, 220 p.
Méla Ch. Le miroir périlleux ou l’alchimie de la rose. Europe, 1983. Octobre, pp. 72-83.
Notz M.-F. Hortus conclusus. Mélanges Jeanne Lods. Paris, 1978, pp. 459-472.
Planche A. Comme le pin est plus beau que le charme. Le Moyen Age. Liège, 1974. pp. 51-70.
Press A. R. La strophe printanière chez les troubadours et chez les poètes latins du moyen-âge. Revue de langue et littérature occitane. Avignon, 1962-1963, pp. 70-78.
Vandendorpe Ch. Allégorie et interpretation. Poétique, no. 117, février 1999, pp. 75-94.
